To celebrate the bicentenary of Alexander ‘Greek’ Thomson‘s birth a programme of events and activities have been planned to take place throughout 2017. We will continue to update this calendar throughout the year with more and more exciting events as these are confirmed so please keep checking back. You can also sign up to our e-mail newsletter here to stay up to date.
A service will be held to remember Thomson’s work in gratitude at St Vincent Street Church on Sunday 7th May at 11.00 am to which all are cordially invited.
This will be a wonderful opportunity both to celebrate Thomson’s legacy, and to experience Thomson’s last remaining Church being used for its designed purpose.
Mark Baines is the chairman of the Alexander Thomson Society, an organisation that protects Alexander ‘Greek’ Thomson’s legacy and his architectural heritage. This talk will look at the former Caledonia Road Church along with other buildings designed by Thomson on the South Side of the city, including Walmer Crescent, Moray Place and a number of lost buildings in Laurieston and Huthchesontown.
Delivered as part of House for an Art Lover’s 2017 Heritage Programme.
The Save Egyptian Halls symposium brings speakers together discuss the significance of this A-listed building and how it might be saved.
Timetable tbc, speakers include:
Niall Murphy – Glasgow City Heritage Trust
Fiona Sinclair – Fiona Sinclair Architects
Scott Abercrombie / Mark Baines – The Alexander Thomson Society
Ben Adam – David Narro Associates
Andrew McConnell – Glasgow Building Preservation Trust
Dara Parsons – Historic Environment Scotland
Jamie McNamara – Society for the Protection of Ancient Buildings
We are delighted that this year’s Alexander Thomson Lecture will be delivered by Amin Taha. The London-based, Stirling Prize nominated architect of buildings such as 15 Clerkenwell Close and Barrett’s Grove will deliver a talk reflecting on his work and his approach to architecture.
The Society were interested by Amin’s approach to the use of stone masonry, texture and pattern, and his abstracted use of classical forms in his Upper Street project.